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There are also moments where the player is presented with a time-limited dilemma, but the actions aren't QTEs. That scene where you have to dodge oncoming traffic felt like the right level of challenging and responsive. When you’ve managed to dodge every attack and wiggle out of every trap, Heavy Rain feels like it’s working as it should.
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In moments of dramatic action, the player is prompted to go through a series of quick time events (QTEs) where you have to do this correctly and rapidly.Īt their best, the QTEs feel satisfying. All possible character actions, from frantic dodges down to drinking beer, are governed by either making this movement correctly, pressing or holding the right key, or a combination of both.
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The PlayStation version relied on the motion sensors in the DualShock controller, whereas the PC version requires movements of the mouse in indicated directions. Players are introduced to the controls in a lengthy and mellow tutorial, in which Ethan prepares his home for his son’s birthday party. Especially when combined with the limitations of motion capture at the time it was made, and Heavy Rain's weird controls. I've had to ask myself just how much of this I'm willing to pardon in a game where the story and character interaction is supposed to be a main selling point. It’ll help reduce the pain.” It can end up downright laughable.
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Some of the dialogue would be more at home in a parody of a daytime TV whodunnit, as it's peppered with tropes like “I’m going to take you off this case!” or weird redundancies like “It’s a painkiller. Much of the voice acting in Heavy Rain falls short when the game is meant to portray intense, sincere emotion. Re-playing Heavy Rain did make me appreciate the performances in Quantic Dreams' Beyond: Two Souls and Detroit, though. Still, if you don’t look or listen too closely, Heavy Rain's broader story holds up pretty well - better, I think, than Quantic Dream’s more recent games.
An intriguing thread early on hints that Ethan is suffering some sort of memory loss or dissociative state that could connect him to the murders, but it is completely dropped later in the game, apparently a casualty from a bunch of cut content that makes the game more confusing. Unfortunately, what the characters think is sometimes inconsistent with what they do, and glaring plot holes soon make themselves apparent. You also get to listen to your characters' thoughts, which offer hints towards the objective and sometimes provide insight into that character’s feelings. The way the game switches from character to character keeps the game feeling fresh, and slightly less grim than 10 hours of Ethan crawling over shards of glass.
Norman is investigating crime scenes and using police equipment, for example. The other characters, though, have their own objectives. Ethan is contacted by the Origami Killer directly, and is put through various trials in order to save his son, such as driving the wrong way into traffic. Much of the plot's intrigue is found in the way each character tries to find more information. Three other characters are also involved in the hunt: Norman Jayden, an FBI Agent with magic AR sunglasses journalist Madison Paige and Scott Shelby, an ageing and gruff private investigator.
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Shaun has been taken by a serial murderer known as the Origami Killer, who targets young boys and drowns them in rain water.
Heavy Rain is a story-driven game following Ethan Mars, a father in search of his kidnapped son, Shaun. After nearly a decade of PlayStation exclusivity, Heavy Rain is on PC, which means you can now press 1 rather than X to “Jason! Jason! Jason!”
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